#The vault movie how to
Tragically, the vault is opened, and perhaps even more tragically, the kids don’t learn a damn thing (except maybe how to die). After killing some of his fellow slaves, he was put on time out, and when that didn’t work, he was locked in “the vault.”Ī couple of hundred years later, a high school teacher takes some of his students to the abandoned building housing the vault so that he can teach them about history, or fondle them, or whatever it is he has planned. Basically, Sahzuku (Parris Washington) is the ghost of an African witch doctor who was brought as a slave to the Los Angeles area (eh?) back in the day.
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The Vault is watchable in its glossiness and pace, but the sketch characterisation doesn’t match up.The Vault may be the worst of the Full Moon/Big City Pictures urban horror films - which is quite an accomplishment - not so much because the script, acting, or direction is so much below the others, but because the bad guy - unlike in Killjoy, Ragdoll or even The Horrible Doctor Bones - is so dull. The final which Spain will win, gives the gang the opportunity it needs to make the raid on the vault, as all security cameras will all be trained on the crowd. It’s a nifty idea to set the story during the final thrilling stages of the 2010 World Cup, so we are shown huge crowds of fans regularly assembling in Cibeles Square, close to the bank, to watch on the giant screen. There is an entertaining scene in which she poses as an art restorer, getting the bank’s dozy chairman to leave her alone in his office with his Goya portrait, thereby enabling her to access the hidden safe.įrom here on it’s all exciting action.
Guess which one will turn out to be the bad apple? The role of lone female gang member, Lorraine, played winningly by Astrid Bergès-Frisbey, is to turn up in different wigs and accents and deploy charm. Of the other characters, Walter is steely, Spanish Simon an ardent football supporter, Klaus the computer genius repeatedly tucks into a bag of crisps and scowling James is perpetually antagonistic to the newcomer. Freddie Highmore, as Thom, is excellent at putting on a look of beatific vision whenever he works out yet another genius solution. Thom’s central quality, apart from his much-mentioned genius, is sheer niceness. The Vault’s team of script writers tend to use pretty broad brush strokes. It needs sharply drawn characters and witty dialogue. The success of heist movies depends not just on a tense, twisty plot and special effects, which The Vault ably delivers.
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Plus Walter does his Francis Drake number on him – this isn’t so much stealing as salvaging something to which Spain has no right, he insists. Admittedly it involves criminality – lending his engineering wizardry to aid a spectacularly dangerous heist – but the idea of solving hitherto intractable engineering problems really appeals. Unimpressed by talk of vast salaries, Thom is intrigued by Walter’s very different job offer. The action moves to Cambridge where Thom, a fresh-faced engineering genius, is being wooed by heads of multi-national oil companies.
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In the way of all heists, Walter now seeks to assemble a crack team to achieve the impossible – to break into the bank where the rigged vault is ready to drown all intruders. The international court of The Hague rules in Spain’s favour. Finally recovered off the coast of Spain, the medals are seized by Spanish authorities and locked in the Royal Bank’s vault. For thirty years he has dived wrecks in search of three golden medals on which Drake supposedly etched the secret co-ordinates of his buried treasure. Criminal mastermind, Walter (Liam Cunningham), see himself as twenty-first century incarnation of Drake, fearlessly seeking Spanish gold from old shipwrecks. The presiding spirit of the film, somewhat improbably, is Sir Francis Drake, Elizabethan adventurer and privateer. What does Balagueró bring to the party? The Vault is certainly a slick, expensively made adventure, with impressive cinematograpy and special effects for which it won a Spanish Goya award. It was the thrilling focus of Season Three of Alex Pina’s massively successful Netflix series, Money Heist (2017-2021). Jaume Balagueró isn’t the first film maker to imagine a fictional heist of this real-life vault.
To add to the horror, this also activates an immediate flood of water which fills the space. Should intruders trigger it, a 16-ton door will seal them into the vault. The Royal Bank of Spain’s underground vault is famous both for the quantities of gold it stores and for its legendary security system. Santaollala, Michel Gaztambide, Rowan Athale
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